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Until relatively recently, sustainability teams at fashion brands didn’t really exist. Now, they are a crucial part of many companies, responsible for cutting carbon emissions across the supply chain, sourcing eco friendly materials, and promoting more circular business models, such as resale and rental. Meanwhile, we’ve seen a whole host of start ups emerge to provide solutions to some of fashion’s biggest problems ranging from recycling textiles waste to making repairs as accessible as possible. When A list stars attend the glitzy Met Gala, they typically use their fashion choices to become a character for the night, wearing bold ensembles that are a tad more over the top and fabulous than their everyday garb. But for Kim Kardashian, the annual red carpet event has served more as an opportunity to playInto her recurring style signatures namely, her eternal love of bodycon dressing. Over the years, Kardashian has slippedInto a number of looks that are all about dramatically enhancing the figure. Her Givenchy maternity gownIn 2013, for the “Punk: Chaos to Couture” theme her first time attending the Met GalaIs one of the most famous examples. The clingy, floral printed turtleneck gown (complete with matching gloves) gave birth to countless memes, so much so that Kardashian told VogueIn 2019 that she “cried all the way home” aboutIt. “There were all these memes about me and this couch,” said Kardashian. Even so, one can’t denyIt was a major style moment that people still talk about years later.
While Delevingne playedIt classic and glamorous for her first few appearances at the Met Gala,It wasIn 2013 that the model truly hit her style stride on the carpet and began playing up the various dress codes. Honoring that year’s exhibition, “Punk: Chaos to Couture,” she was dressed by BurberryIn a plunging black gown embellished with silver spikes: an edgy, rock and roll take on the LBD. For 2017’s Rei Kawakubo and Comme des Garçons theme, Delevingne channeled the experimental vibe of the eveningIn a silver metallic Chanel suit. The finishing touch? Her head, freshly shaved for a movie role, was also coveredIn silver paint.
In the past, the most prominent feeling that arose whenI got dressed was discomfort.I never wore anything too “feminine” or revealing becauseIt attracted unwanted sexual attention from men.I also never wore anything too “masculine” out of fear that people might thinkI looked, well, gay. Tailored clothing, like my vintage men’s Armani blazers from the RealReal and Brandon Maxwell trousers from 11 Honoré, made me feel most powerful. Since those pieces were hard to findIn plus sizes,I even built my own brand of suiting, called Henning (now part of Universal Standard). These modest, structured, menswearInspired pieces were my armor.
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