She described the runway, which she watched from the front row, as an “emotional” experience. “The inspiration that was taken from Mexican culture that was honored, just really seeing that play out in the show was really beautiful with all the hairstyles, the faces of the women and the diversity of the models,” Keys says. “I thought that was really powerful.” The star’s favorite part was the impactful statement made during the finale, when Chiuri showcased white dresses with red embroidery that called attention to missing or murdered Indigenous women. “The statement at the end of the show that Maria Grazia made with the women in white, I thought that was tremendous,” says Keys. “To learn and to discover more about how many Mexican women go missing. . . and to create a special moment in the show for that, was really powerful. It shows the way that we can combine art, fashion, and activism to open people’s minds to what’s happening.”

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Lily-Rose Depp joined her co-stars from the new HBO series, The Idol, for her red-carpet moment at Cannes Film Festival. On the Croisette, she wore a sequined Chanel minidress adorned with a flower at its centre. It was either a vintage piece worn by supermodel Christy Turlington on Chanel’s fall 1994 runway, or a custom homage to the original. The actor wore the look as it was seen at the show: styled with sheer opera gloves and gossamer-thin tights. However, she didn’t wear the floral headdress worn by Turlington, and instead wore her hair in a low-bun, with loose tendrils that framed her face. The stars are making a habit of recreating major ’90s supermodel moments right now: there were several epic runway throwbacks on the red carpet at this year’s Met Gala.
With plenty of buzz and conversation behind it, The Idol premiered at Cannes Films Festival on Monday. Blackpink member Jennie Kim, who makes her acting debut in the gritty drama, hit the red carpet in an angelic midi dress by Chanel. The white lace midi dress, designed by Virginie Viard, featured a corset silhouette on top and a voluminous lower-half and tulle hem. While not necessarily fitting into standard definitions and perceptions of vintage, Kim did turn to the house’s archives for the graceful number. The dress is from Chanel’s spring 2020 couture show, the first with Viard as creative director following the death of Karl Lagerfeld.
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