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The Colegio de San Ildefonso in Mexico City played host to Dior’s resort 2024 show this weekend, the locale informing a beauty moment rooted in the country’s perspective, along with the openness that comes with education and an alfresco setting. A cast of predominantly Mexican models walked the cultural center’s runway in looks that drew inspiration from Frida Kahlo and Diego Rivera, the feel refreshing and primed for seasonal recreation. “The show is in this beautiful academy, this beautiful school outside, it becomes too forced if you put too much makeup on. It’s much nicer if there’s a freshness to it,” says makeup artist and Dior Beauty creative director Peter Philips. “It’s almost like girls going to this school and taking in all of the Mexican culture and heritage and art and craftsmanship. There’s a freshness to it.”
To accompany hairstylist Guido Palau’s ouroboros braids duets of plaits seamlessly connected behind the head, a visual pulled from Rivera’s Calla Lily Vendor Philips embraced subtlety. Think: a blend of Diorshow On Stage Crayon and Diorshow Iconic Overcurl Mascara (now featuring refillable packaging) at lash roots, but not lengths; tiny touches of powder to combat the humidity; and Dior Rosy Glow in Rosewood (with a lip to match) for a wash of warmth.
But in terms of how we treat our body, an attempt at moral purity is both impossible and useless. It was the conundrum of my twenties to care about fat positivity and also understand the realities of life when it comes to my aching knees. It’s still a conundrum to me now. And when it comes to matters of the body in society there is no morally pure way to be. The bad parts of society win when we internalize a moral code or a beauty standard that is designed to make us fail.
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